Tag Archives: watercolor

The Portrait Project

Back in December, I was wanting to start a new series of artwork. The goal was to create a consistent body of work to build up my portfolio with the intent to eventually apply for a local gallery opportunity. I had a couple of ideas for potential themes to explore, but wasn’t sure which idea to follow. I brought it to prayer, and the word “ordinary” kept banging around in my head.

I was in need of models for my artwork and asked my friends and family on Facebook if any of them would be willing to let me use their photos or likenesses for future artwork. I honestly thought that I would be lucky if five people volunteered, but I ended up with over thirty people who were interested. As I went through the list, I thought about the different ways each person came into my life and how they are all unique, albeit ordinary, women. I knew I wanted to create a series of portraits featuring ordinary (but extraordinary) women.

I’ll admit that I always get an urge to add something to the portraits to make them more surreal or like a fantasy illustration. Though this wouldn’t be uncommon, especially in my previous portrait work, I knew I wanted to be true to the spirit of the subject. I don’t need to add anything to their portraits to make the individual more unique or interesting.

So far, I have done five portraits (Raven, Sarah, Lauren, Rachael, and Chelsea) and there are many more to come. As I work on the portrait, I try to use the process of painting as a form of prayer. I try to pray for their intentions and thank God for the way he has brought these individuals into my life and how they have influenced me. It’s been very special for me to hear the feedback from the people who I’ve painted. I always hope that I do them justice.

All of the portraits are done primarily with watercolors, though occasionally I use acrylic or other mixed media to finish the pieces. You’ll be seeing many more portraits to come over the next few months!

Sarah

My new piece, “Sarah,” is an acrylic and watercolor painting I made as part of a new series of portraits I’m developing. Sarah and I first met our freshman year of high school while working on the school musical, “Singin’ in the Rain.” She is extremely generous and has a heart for adventure and being out in nature. We’ve been friends ever since.

I always love seeing what new adventures she’s on whether it’s snowshoeing with her adorable husky Mochi, climbing 14ers, paddling down the Amazon, swimming with sharks, or running races in Utah. I really liked this photo reference of Sarah because I felt like it was a good representation of her in her element. She also likes Elsa from Frozen, so y’know… snow ❄️

Sarah’s face is painted with acrylics, but everything else is watercolor. While working on this portrait, I struggled with the background. I ended up painting over the entire background with white acrylic and starting over. I recently started using a new product called Daniel Smith watercolor ground. You can paint it on any surface to make it watercolor friendly. I’ve used it a lot on Bible pages when Bible journaling. It’s not as great as real watercolor paper, but it definitely did the trick in this painting!

“Sarah.” Watercolor, acrylic, and mixed media, 8×10”.

Liturgical and Sacred Art Festival

I’m excited to announce that my piece “Psalm 91:4” was accepted to the Springfield Liturgical and Sacred Art Festival coming up soon!

My piece “Psalm 91:4” that was recently accepted at the Springfield Liturgical and Sacred Art Festival.

During the last few weeks, I had been working on finishing up two pieces to submit to a call for entries for a Liturgical and Sacred Art Festival in Springfield, Illinois. I personally have not heard of that many contemporary artists creating religious themed artwork, so I was excited to hear about the chance to exhibit religious work. I had a Joan of a Arc bible journaling sketch and a sketch I had done as a Pentecost mass reflection that I decided to revisit to create as larger scale paintings to submit for the exhibition.

Though my “Courage Under Fire” piece inspired by Joan of Arc was not accepted, I still am very proud of the time I spent creating the piece.

“Courage Under Fire.” A watercolor, acrylic and mixed media piece inspired by Joan of Arc.

My “Psalm 91:4” piece was based on a personal mass reflection sketch I created during Pentecost, but the title is from Psalms:

“He will shelter you with his pinions, anded under his wings you may take refuge; his faithfulness is a protecting shield.”

In my original sketch, I was reflecting on how we all have vulnerabilities or fragility, but we also all have an inner strength burning within us. I was drawing inspiration from the Holy Spirit and how it reveals itself in many different forms (feathers, flames, tongues, etc).

“There are different kinds of spiritual gifts but the same Spirit… To each individual the manifestation of the Spirit is given for some benefit.” 1 Corinthians 12:3b-7, 12-13

My original sketch that “Psalm 91:4” is inspired by.

My “Courage Under Fire” piece was originally a sketch and Bible reflection I did for All Saint’s Day. The reflection had been inspired by Beth Davis of Blessed Is She’s Teachable Tuesday talk. 1 John 4:18 was the verse she talked about.

“There is no fear in love…”

Joan of Arc had a great quote that I felt paired nicely:

“I am not afraid. I was born to do this.”

My original Joan of Arc “Courage Under Fire” bible journaling sketch.

It’s super special that these were the two pieces I created to represent me for this call for entries. Fear had been telling me to scale back, to keep it small, to keep it comfortable… Taking a step and risk sharing a vulnerable part of me, to put my art “out there,” and to celebrate the small sketches and baby steps that brought me to where I am at this moment has been very rewarding.

My piece will be at the Liturgical Arts Festival of Springfield at the Springfield Art Association in Illinois starting on April 28, 2018.

Leggo My Eggo

When my husband and I first watched Netflix’s Stranger Things last year, I remember thinking it was one of the best new shows I had seen in years. There was that great mix of humor, suspense, nostalgia, etc that made it like a combination of my favorite Steven Spielberg films combined with The X-Files and Stephen King’s The Body.

I knew I wanted to create a piece to show my excitement for the premiere of Stranger Things 2, so I made this Eleven watercolor painting.

“Leggo My Ego.” 5×7″ watercolor and gouache painting of Eleven from Stranger Things.

Soccer Field

I was recently asked to paint some concept artwork of the different uses of a soccer field. The images show the field being used by a soccer team, lacrosse players, and picnickers.

I painted the field by itself using watercolors and painted the players and people separately. They were later digitally composited using Photoshop.

The original soccer field painted in watercolor.

The field with the soccer players.

The field with picnickers.

The field with lacrosse players.

Sunday Sketches

I had been struggling to find time to put time aside for art. Being a full-time mom as well as a painting instructor for Pinot’s Palette, it was a struggle finding time and motivation to work on art.

In the spring, I read a book called Resisting Happiness by Matthew Kelly. I read a chapter a day during Lent and it inspired me to make the time to create. One of the things Kelly suggested in the book was to keep something called a Mass Journal. The idea is that you bring a journal to mass every Sunday and write down one thing that connects to you during the service. This could be a line from a reading, a song, or something the priest says during the homily.

I liked the idea, but instead of using a journal I chose to do sketches. A friend had gifted me a set of artist tiles, like the kind used for zentangles, so I decided to use these to write and draw my mass reflections. Because the artist tile cards are small, they fit nicely in a small pouch with a couple of pens and pencils I bring along. I listen during mass, write down my connection, and illustrate my reflection.

I like doing these Sunday sketches because it not only because it makes me dedicate time every week to sketching, but it also has helped me connect during church and learn more about myself as well.

  

Getting Cinderella Ready For the Ball

It had been a long time since I had been able to create any new artwork, so I made it a priority in April to create a piece of artwork just for fun and all for me. My daughter loves Disney movies and we watch many together. It’s fun to re-watch many of the films that inspired me to become an artist.

One film that I loved re-watching was Cinderella. The artwork and animation are beautiful. I’m especially in love with the colors and style. Cinderella’s dress transformation might just be true animated magic. I love many other adaptations as well including, but not limited to, the Rodger’s and Hammerstein Cinderella TV musicals (1965 and 1997), EverAfter, and Gail Carson Levine’s young adult novel Ella Enchanted.

I decided to create my interpretation of Cinderella’s dress transformation. In addition to wanting to work for Disney, I also dreamed of being a children’s book illustrator and wanted to replicate these loves and ambitions through my art. I’m currently reading a book on children’s book illustration (a dream is to someday create my own illustrated book) and wanted to make a finished piece that might look like the page from a book. I hoped to create a sense of scene and story in one image as well as experimenting a little bit with style and technique.

My inspirations were all of the film versions of Cinderella I love and the artwork of Disney concept artist Mary Blair who helped create the look of the animated Cinderella.

I started with a really REALLY rough thumbnail using the ArtRage app on my phone. I had a vision, and wanted to quickly block it out with some colors I thought might work together. Afterwards, I created a pencil sketch, transferred the sketch to some smooth watercolor paper and began to block in the background using wet-on-wet watercolors and placing saran wrap over the paint while it was still wet. This technique create a fun texture, one of my favorite ways to play with backgrounds in my pieces.

I had envisioned a roughly painted tulle skirt created using thick gouache, but when I struggled to get the effect I was looking for, I had to switch tactics. I took a gamble of the dress by using a combination of wet-on-wet technique with lots and lots of salt to create a crystallized effect. Thankfully, it turned out even more magical than I had anticipated. When I started adding fine details on top of the dress, it really came to life and had a dimensional quality to it that I loved.

Cinderella’s face and the pumpkin were painted using gouache. I wanted to include the pumpkin and mice to foretell what else Cinderella’s Fairy Godmother would transform to get her ready for the ball. I had originally started with a solid black silhouette for the pumpkin and mice, but felt it looked too flat when compared to all of the textures used in the background. The addition of blue and purple gouache helped tie it into the rest of the piece.

cinderella

I am very happy with how this piece turned out. I hope to create a Snow White themed piece in the near future.

Here’s a behind-the-scenes video depicting my process on Cinderella:

A Peek in the New Sketchbook

When I was in middle and high school, I used to draw in my sketchbook daily. My sketchbook went with me everywhere I went. It was a good icebreaker for meeting new friends, a good way to pass the time during class (don’t worry, I was a good student 98% of the time), and a good way to practice and create. I was constantly making up my own characters and stories. My sketchbook was almost like a diary or creative journal.

Sometime during college, I stopped keeping sketchbooks. Yes, we often had to have a designated sketchbook for each individual art course we took, but I didn’t really use them in the same way that I had before.

For my birthday, I asked my husband to get me a sketchbook for my birthday. He got me two different mixed media sketchbooks. The one I started to use is a Strathmore multimedia sketchbook that has a cover similar to a Moleskin sketchbook. I love it and have been trying to get back into the habit of working on art in the studio every night. Having a nice sketchbook definitely helps!

A couple months ago, and before I got my new sketchbook, I started trying to branch out and try new things with watercolor. For some reason, having a wash of color helps me figure out what I want to draw. Doing art this way kind of reminds me of doing a charcoal or conte drawing on toned paper.

I recently have been trying to get more portrait practice in. I do a lot of portraits in my personal work as well as commissions, so I wanted to make sure that I was staying in practice. I decided to get back into gouache and add it on top of watercolor washes to see what would happen. This was my first practice:

rachaelI remember finishing it and thinking, “This was a ‘practice’ piece? It’s better than some of the finished pieces I’ve done lately.” But maybe that’s the thing… When you work in a sketchbook, you take more chances and you allow yourself to experiment more. I think sometimes the pressure gets to you when you’re trying to do a finished “final” piece of art.

So right now, I’m going to continue sketching and practicing. Hopefully more of my sketches will turn out as nice as this piece. I’m hoping that over time, my new theme and style will start to show itself in my sketchbook pages.

hannah

I Love You to the Moon — and Back

moonandbackproject

When Holly was a little bit younger, before she could really sit by herself or play with toys, her favorite thing to do with me was read children’s books. One of her favorite books to read with me was, “Guess How Much I Love You” written by Sam McBratney and illustrated by Anita Jeram. It’s about two rabbits who are trying to explain how much they love each other. At the end of the book, Nutbrown Hare says, “I love you right up to the moon — and back.”

The phrase is written on nursery walls, jewelry, and has maybe been used so much that it’s now a cliche, but it’s a simple way of expressing how much I love my daughter. I would describe my love for Holly as being infinite.

I wanted to create a piece of artwork that showed the loved I have for my daughter. It had been on my mind for months, but it wasn’t until last weekend that inspiration struck. I went to visit my mentor student’s high school IB art show and got to see some student projects. High school students experiment and are unpretentious about the way they use art to show their emotions. Seeing their work helped inspire me.

A couple years ago, my husband and I had created a watercolor “tunnel book” as a wedding gift for our dear friends. I was interested in re-visiting that style of painting. Though my finished piece didn’t end up being a tunnel book, the layered pieces help give it a sense of space and set a scene.

My first tunnel book project: a wedding present for our friends.

My first tunnel book project: a wedding present for our friends.

My dad loves going to garage sales and over the years he has picked up a large variety of frames for me to use for my artwork. I finally had to tell him to stop picking up frames because I couldn’t keep up! One of the frames he picked up was perfect for this project, so I gessoed it and painted over it with silver acrylic paint.

The painted garage sale frame with the watercolor background.

The painted garage sale frame with the watercolor background.

On three separate pieces of watercolor paper, I used wet-on-wet watercolor techniques to add color throughout the pages. I added salt, dots of alcohol, and used saran wrap to create the texture and effects. I drew out all of the pieces using pencil and touched them up with extra watercolor washes, pencil, and gel pen. After I finished the pieces, I cut everything out with an x-acto knife and scissors.

moonandclouds

The stars were made out of strips of origami paper. I threaded a needle with metallic thread and added a string to each star. The stars were taped to the backs of the different cut-out pieces. I also cut out a piece of the silver paper and glued it into Holly’s hands so it would look like she was holding a star.

origamistars

 

moondetail

I folded small pieces of watercolor paper to different sizes and glued them to the back of my pieces to help them “pop” out.

The finished piece is now hanging up in the hallway outside of Holly’s room. I’m looking forward to creating another piece done in a similar style. Any suggestions for future projects?

iloveyoutothemoonandback