Tag Archives: amy heyse art

Liturgical and Sacred Art Festival

I’m excited to announce that my piece “Psalm 91:4” was accepted to the Springfield Liturgical and Sacred Art Festival coming up soon!

My piece “Psalm 91:4” that was recently accepted at the Springfield Liturgical and Sacred Art Festival.

During the last few weeks, I had been working on finishing up two pieces to submit to a call for entries for a Liturgical and Sacred Art Festival in Springfield, Illinois. I personally have not heard of that many contemporary artists creating religious themed artwork, so I was excited to hear about the chance to exhibit religious work. I had a Joan of a Arc bible journaling sketch and a sketch I had done as a Pentecost mass reflection that I decided to revisit to create as larger scale paintings to submit for the exhibition.

Though my “Courage Under Fire” piece inspired by Joan of Arc was not accepted, I still am very proud of the time I spent creating the piece.

“Courage Under Fire.” A watercolor, acrylic and mixed media piece inspired by Joan of Arc.

My “Psalm 91:4” piece was based on a personal mass reflection sketch I created during Pentecost, but the title is from Psalms:

“He will shelter you with his pinions, anded under his wings you may take refuge; his faithfulness is a protecting shield.”

In my original sketch, I was reflecting on how we all have vulnerabilities or fragility, but we also all have an inner strength burning within us. I was drawing inspiration from the Holy Spirit and how it reveals itself in many different forms (feathers, flames, tongues, etc).

“There are different kinds of spiritual gifts but the same Spirit… To each individual the manifestation of the Spirit is given for some benefit.” 1 Corinthians 12:3b-7, 12-13

My original sketch that “Psalm 91:4” is inspired by.

My “Courage Under Fire” piece was originally a sketch and Bible reflection I did for All Saint’s Day. The reflection had been inspired by Beth Davis of Blessed Is She’s Teachable Tuesday talk. 1 John 4:18 was the verse she talked about.

“There is no fear in love…”

Joan of Arc had a great quote that I felt paired nicely:

“I am not afraid. I was born to do this.”

My original Joan of Arc “Courage Under Fire” bible journaling sketch.

It’s super special that these were the two pieces I created to represent me for this call for entries. Fear had been telling me to scale back, to keep it small, to keep it comfortable… Taking a step and risk sharing a vulnerable part of me, to put my art “out there,” and to celebrate the small sketches and baby steps that brought me to where I am at this moment has been very rewarding.

My piece will be at the Liturgical Arts Festival of Springfield at the Springfield Art Association in Illinois starting on April 28, 2018.

Raven

Right before the beginning of the new year, I was watching a Blessed is She talk that recommended that you pick a word to reflect on for the new year. The word that was whispered to my heart was “ordinary.”

Shortly after, I was brainstorming ideas for a collective body of artwork to produce. I wanted to build up a new portfolio and though I had a couple ideas of directions I was interested in, I wasn’t sure what I would ultimately create. I do a lot of portrait work which means I need lots of human references. I thought it might be fun to use friends and family for portrait practice or references for future paintings.

I sent out a “model call” on Facebook asking if anyone would be willing to let me use their photos for practice. I was only expecting maybe 5 people would volunteer. I ended up getting over 30 (and counting) interested friends and family members. Inspiration struck and that word “ordinary” went through my mind. I wanted to create a series of portraits of ordinary women using mixed media processes.

The first of these portraits is Raven, a talented photographer I met through a mom’s group at church. When I saw this self portrait of her, I knew this was the image I would use for the piece I wanted to create. She had some beautiful photographs of her children that had a really lovely purple and blue lighting that I wanted to draw into this piece as an underpainting.

The majority of the painting was created with watercolors. I used pens for the linework in the hair, varnished the piece, and added thin layers of acrylics on top.

In progress shots of my portrait of Raven.

The finished portrait of Raven. Watercolor and mixed media 8×10”

Leggo My Eggo

When my husband and I first watched Netflix’s Stranger Things last year, I remember thinking it was one of the best new shows I had seen in years. There was that great mix of humor, suspense, nostalgia, etc that made it like a combination of my favorite Steven Spielberg films combined with The X-Files and Stephen King’s The Body.

I knew I wanted to create a piece to show my excitement for the premiere of Stranger Things 2, so I made this Eleven watercolor painting.

“Leggo My Ego.” 5×7″ watercolor and gouache painting of Eleven from Stranger Things.

Soccer Field

I was recently asked to paint some concept artwork of the different uses of a soccer field. The images show the field being used by a soccer team, lacrosse players, and picnickers.

I painted the field by itself using watercolors and painted the players and people separately. They were later digitally composited using Photoshop.

The original soccer field painted in watercolor.

The field with the soccer players.

The field with picnickers.

The field with lacrosse players.

Sunday Sketches

I had been struggling to find time to put time aside for art. Being a full-time mom as well as a painting instructor for Pinot’s Palette, it was a struggle finding time and motivation to work on art.

In the spring, I read a book called Resisting Happiness by Matthew Kelly. I read a chapter a day during Lent and it inspired me to make the time to create. One of the things Kelly suggested in the book was to keep something called a Mass Journal. The idea is that you bring a journal to mass every Sunday and write down one thing that connects to you during the service. This could be a line from a reading, a song, or something the priest says during the homily.

I liked the idea, but instead of using a journal I chose to do sketches. A friend had gifted me a set of artist tiles, like the kind used for zentangles, so I decided to use these to write and draw my mass reflections. Because the artist tile cards are small, they fit nicely in a small pouch with a couple of pens and pencils I bring along. I listen during mass, write down my connection, and illustrate my reflection.

I like doing these Sunday sketches because it not only because it makes me dedicate time every week to sketching, but it also has helped me connect during church and learn more about myself as well.

Getting Cinderella Ready For the Ball

It had been a long time since I had been able to create any new artwork, so I made it a priority in April to create a piece of artwork just for fun and all for me. My daughter loves Disney movies and we watch many together. It’s fun to re-watch many of the films that inspired me to become an artist.

One film that I loved re-watching was Cinderella. The artwork and animation are beautiful. I’m especially in love with the colors and style. Cinderella’s dress transformation might just be true animated magic. I love many other adaptations as well including, but not limited to, the Rodger’s and Hammerstein Cinderella TV musicals (1965 and 1997), EverAfter, and Gail Carson Levine’s young adult novel Ella Enchanted.

I decided to create my interpretation of Cinderella’s dress transformation. In addition to wanting to work for Disney, I also dreamed of being a children’s book illustrator and wanted to replicate these loves and ambitions through my art. I’m currently reading a book on children’s book illustration (a dream is to someday create my own illustrated book) and wanted to make a finished piece that might look like the page from a book. I hoped to create a sense of scene and story in one image as well as experimenting a little bit with style and technique.

My inspirations were all of the film versions of Cinderella I love and the artwork of Disney concept artist Mary Blair who helped create the look of the animated Cinderella.

I started with a really REALLY rough thumbnail using the ArtRage app on my phone. I had a vision, and wanted to quickly block it out with some colors I thought might work together. Afterwards, I created a pencil sketch, transferred the sketch to some smooth watercolor paper and began to block in the background using wet-on-wet watercolors and placing saran wrap over the paint while it was still wet. This technique create a fun texture, one of my favorite ways to play with backgrounds in my pieces.

I had envisioned a roughly painted tulle skirt created using thick gouache, but when I struggled to get the effect I was looking for, I had to switch tactics. I took a gamble of the dress by using a combination of wet-on-wet technique with lots and lots of salt to create a crystallized effect. Thankfully, it turned out even more magical than I had anticipated. When I started adding fine details on top of the dress, it really came to life and had a dimensional quality to it that I loved.

Cinderella’s face and the pumpkin were painted using gouache. I wanted to include the pumpkin and mice to foretell what else Cinderella’s Fairy Godmother would transform to get her ready for the ball. I had originally started with a solid black silhouette for the pumpkin and mice, but felt it looked too flat when compared to all of the textures used in the background. The addition of blue and purple gouache helped tie it into the rest of the piece.

I am very happy with how this piece turned out. I hope to create a Snow White themed piece in the near future.

Here’s a behind-the-scenes video depicting my process on Cinderella:

A Peek in the New Sketchbook

When I was in middle and high school, I used to draw in my sketchbook daily. My sketchbook went with me everywhere I went. It was a good icebreaker for meeting new friends, a good way to pass the time during class (don’t worry, I was a good student 98% of the time), and a good way to practice and create. I was constantly making up my own characters and stories. My sketchbook was almost like a diary or creative journal.

Sometime during college, I stopped keeping sketchbooks. Yes, we often had to have a designated sketchbook for each individual art course we took, but I didn’t really use them in the same way that I had before.

For my birthday, I asked my husband to get me a sketchbook for my birthday. He got me two different mixed media sketchbooks. The one I started to use is a Strathmore multimedia sketchbook that has a cover similar to a Moleskin sketchbook. I love it and have been trying to get back into the habit of working on art in the studio every night. Having a nice sketchbook definitely helps!

A couple months ago, and before I got my new sketchbook, I started trying to branch out and try new things with watercolor. For some reason, having a wash of color helps me figure out what I want to draw. Doing art this way kind of reminds me of doing a charcoal or conte drawing on toned paper.

I recently have been trying to get more portrait practice in. I do a lot of portraits in my personal work as well as commissions, so I wanted to make sure that I was staying in practice. I decided to get back into gouache and add it on top of watercolor washes to see what would happen. This was my first practice:

I remember finishing it and thinking, “This was a ‘practice’ piece? It’s better than some of the finished pieces I’ve done lately.” But maybe that’s the thing… When you work in a sketchbook, you take more chances and you allow yourself to experiment more. I think sometimes the pressure gets to you when you’re trying to do a finished “final” piece of art.

So right now, I’m going to continue sketching and practicing. Hopefully more of my sketches will turn out as nice as this piece. I’m hoping that over time, my new theme and style will start to show itself in my sketchbook pages.

Pianos About Town – The Finished Results

I finished my piano for the Fort Collins Pianos About Town project last week. I put in a full day on Sunday, July 12th and wrapped up the small details on Monday, July 13th. The piano was approved and has since been moved to a new location. I’ve heard that it’s currently sitting at “Jazz Alley” by the Food Co-op and the Mitchell building. I plan on dropping by sometime to take a picture of it in the new spot!

There was a big sense of accomplishment when the last details were added as well as a big wave of relief. I had painted a four wall mural in my daughter’s nursery before this piano project and I feel like this piano took a lot more work. Part of it is you have to fill up all of the space on the piano, which takes a long time, but I think the other part is interacting with the public and working with the elements while you paint. The best part about getting the piano finished was knowing that I would be able to have my weekends back to spend time with my husband and daughter. I had missed them so much during the three weeks of this project.

I feel very thankful to have been selected by the city of Fort Collins to share my art with the public! It was definitely a worthwhile experience – one I hope to have the opportunity to do again in the future.